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I investigate the silent tension between resistance and surrender through gestural abstraction.
My practice is rooted in exploring the thresholds between control and collapse — the fragile moment where form begins to fracture under pressure. In my recent body of work, What Holds, What Breaks, I examine the forces—both internal and systemic—that define our sense of freedom and constraint. Each composition emerges through spontaneous, gestural movements that oscillate between assertion and erasure, presence and absence.
The material process itself becomes an act of reflection: the surface records gestures of resistance, while color operates as both a rupture and a reconciliation. This dialogue between containment and release articulates an ongoing inquiry into the nature of autonomy, vulnerability, and the embodied experience of silence.