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About me

THE PRACTICE

My work exists in the tactile space between painting and relief. Grounded in abstraction, my practice explores the intersection of material, surface, and spatial structure, emphasizing the physical presence of the artwork and its dialogue with the surrounding environment.

MATERIAL AND PROCESS

I approach the canvas through a "constructive" lens. Using acrylics, paper rope, and pouring mediums, I allow the surface to emerge through a balance of controlled intent and material spontaneity. Here, materials are not decorative; they are active compositional tools used to define depth, visual weight, and structural rhythm.

VISUAL LANGUAGE

Defined by restraint and calibrated gestures, my visual language avoids narrative in favor of formal inquiry. By focusing on minimal shifts in proportion, density, and surface modulation, I challenge the viewer to perceive how subtle interruptions can fundamentally alter spatial order.

CONTEXT AND INFLUENCE

The transition from the rhythms of Ljubljana to the architectural discipline of Warsaw has profoundly shaped my sensitivity to scale and tempo. This dialogue between cultural and spatial environments informs the measured clarity and structural discipline of my current work.