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About me

I am a curator graduating from BA Culture, Criticism and Curation at Central Saint Martins, UAL.

Having trained in this research-led, archive-focused and critically engaged environment, my practice has been shaped through writing on post- and decolonial thoughts, drawing on frameworks such as cultural identity, diaspora, and spatial hybridity. This helped me develop a layered trajectory that moves between critical writing and exhibition-making, bringing together contemporary artists whose works respond to broader historical and cultural forces.

My current curatorial interests explore the movement of the body, generational memory, and how exhibition space itself is an invisible architectural and curatorial layer. I am particularly interested in how memory is not being recalled, instead, re-encountered through embodied experience and spatial negotiation.

I am also committed to positioning Taiwanese Indigenous and Asian diasporic voices within wider international contexts as I work towards developing projects that engage with cultural inheritance, displacement, and reclamation.

My ongoing research is informed by my dissertation on cultural reclamation and re-emergence in contemporary Taiwanese Indigenous art, alongside my upcoming co-curated exhibition Cherished Chambers (May 2026), which traces how memory is encountered through the body’s relationship to space and emotional residue without attempting to resolve cultural identity into any fixed forms.

I aim to continue developing research-led curatorial projects that bridge writing and exhibition-making and contribute to more nuanced representations of underrepresented histories and lived experiences.