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About me

My curatorial practice is rooted in critical museology and the restorative power of narrative storytelling. While my research is focused on decolonial studies and Latin American indigenous sovereignty, my interests span the vast landscape of material culture, from textiles and featherwork to ceramics, and extending from ancient history to contemporary art. I view objects not as silent artifacts, but as carriers of history. Whether I am working with 17th-century European documents or contemporary indigenous art, my approach is defined by material advocacy: understanding how the physical medium informs the history it holds. Born in Brazil and trained in the vivid historical landscape of Rome, I aim to bridge the gap between what is considered high art and ethnological heritage, treating both with the same rigor and poetic sensitivity. My methodology moves beyond traditional Western taxonomies toward a model of collaborative curation. By prioritizing shared authority and sensory storytelling, I seek to transform the museum space from a static archive into a living space. My goal is to curate exhibitions where the medium and the message intersect to restore agency to the creators and original meaning to the objects, fostering a global dialogue that is as technically precise as it is humanly resonant.