PARG Card

About me

My artistic practice begins with attentive observation, fieldwork, and an ongoing relationship with living materiality, particularly water, plants, fungi, and the transformations that emerge through time. Through biomaterials, textiles, and alternative photographic processes, I explore ways of inhabiting the world grounded in care, interdependence, and reciprocal affect between human and more-than-human.

I work with materials created in collaboration with living organisms, as well as with organic waste understood not as discard, but as fertile matter carrying memory. In my practice, making becomes both a meditative and political gesture: to weave, to dye, to let grow, to let fade. These actions invite slowness and attentiveness to the rhythms of matter itself.

Water occupies a central place in my work as vital flow, sensitive archive, and connective tissue between territories, bodies, and temporalities. Through ephemeral processes I investigate the fragility of hydric landscapes and the disconnection between the territories that sustain life and the cities that depend on them.

Plants, fungi, and vegetal “waste" appear in my work as teachers of adaptation, regeneration, and coexistence. Their cycles inspire reflections on grief, loss, and recomposition: just as organic matter transforms, fragments of lived experience can reconfigure into new, sensitive landscapes.

In my practice, transforming matter is also a way of relating to territory, recognizing the ancestral knowledge that sustains it and activating an ethics of love as care. Here, love is understood as an expanded practice of responsibility toward the living world.

From this position, my work proposes that regeneration cannot exist without sensitivity, nor sustainable futures without a profound transformation in how we feel, inhabit, and relate. Each piece becomes a gesture of contemplation and resistance, an invitation to imagine and practice slower, more attentive, and more loving forms of coexistence.