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She conceives exhibitions as shared theses that intertwine interdisciplinary languages and theatrical elements, engaging the audience in relational and participatory experiences.
Stefania Plaza Mora is an Italian-Colombian curator and cultural planner. Her research is not based on a specific medium, but on building interdisciplinary relationships capable of connecting languages and the urgent needs of the present. For her, curating is dialogue and co-creation with artists, in which the curator supports, accompanies, and contributes to the very definition of the research.
Her exhibitions emerge as shared theses, demonstrated in the materials of the works and the exhibition space. They often take on theatrical elements, reflecting her training, and are conceived as experiences in which the audience is not a passive spectator, but an active participant in a relational process with the artist and his work.
Her vision draws inspiration from theological and spiritual concepts and from her original encounter with Paul Klee's Tod in the summer of 2013: an experience that marked the beginning of a journey in which art is understood as a vital necessity, a political and revolutionary tool, a place of inquiry and wonder. Through its practices, Plaza Mora seeks to generate fertile content that responds to contemporary times and at the same time opens up new possibilities for collective imagination.