Hemaseh Manawi Rad on Textiles and Finding Her Personal Style

Dutch-based artist Hemaseh Manawi Rad’s work immediately stands out for its distinct visual style and unique use of textiles. Choosing textiles from the start of her career, Hemaseh has spent the last decade refining her craft and establishing herself in the art world. We spoke with her about the inspiration behind this choice and how she developed her unique style.

Why did you choose to work with textiles? 

There are several reasons why I chose textiles. Originally, the idea goes back to traditional Persian rugs with their varied colorful patterns. I wanted to play with the concept and give it my own twist. That’s why in the beginning, I started creating my own version of Persian rugs, padding them with pillow stuffing and using bold colors, patterns and textures. 

Another reason why I started working with textiles is because it’s a material you cannot fully control. When it comes to my work, I can be a real control freak and this aspect often forces me to change my original plans in the process and come up with different choices. This makes the creative process playful and full of surprises. 

In your opinion, what opportunities does textiles offer that traditional canvas doesn’t? 

What fascinates me about textiles is that it provides a unique tactile experience that traditional canvas simply can’t match. Working with it I can explore patterns and textures in ways I never could before, which adds depth and complexity to my work.

What other materials or techniques would you want to try? 

In the future, I would like to experiment with different printing techniques such as cyanotype or intaglio. After understanding the process I would try incorporating them in my creative process by applying them to textiles. I think this will allow me to get more control over the patterns and their progression in the works I create with them. 

Do you have any artists also working with textiles who inspire you? 

I am always inspired by artists who work with textiles. It’s a unique material that allows for creative freedom and it’s interesting to see how each artist makes different choices. One of the great examples of textile art I love is the large tapestries by Grayson Perry – an English artist famous for his big colorful tapestries depicting classical myths and historical scenes as well as personal experiences. 

Apart from internationally acclaimed artists, there are many incredible creators who work with textiles in my own area, Eindhoven. For example, Cécile Verwaaijen and Lawrence James Bailey. They never cease to amaze me with their skill and craftsmanship and always give me tons of inspiration for my own projects.

You have a very distinct style. How long did it take you to figure it out? 

It actually came about quite naturally. When I look at the work I was making during my studies there were already some patterns I’ve developed later and kept in the work I’m making now. Only now I use them with a lot more confidence making bolder choices. In every work I make I always try something new, which actually helps me solidify my personal style even more.