MOON, SATELLITES & CRATERS

November 22, 2024 — January 10, 2025
Online Exhibition

About

The "Moon, Satellites, and Craters" collection embarks on a journey through the artist's spirituality, exploring inner worlds that weave through the complex universe of existence.
This collection begins as a study of the stellar system, yet it truly represents a metaphor for life's values, emphasizing the importance and predominance of the bond between humanity - and every living being - and nature, an inexhaustible source of art, wonder, and awe.
The common thread of this research is the material itself, the reuse of paper and other materials with their own history, which, once skillfully manipulated, give rise to new stories.
Thus, within each piece in the collection, we find unique details, fragments of discourses or thoughts, irregular shapes marked by different tones, and shades of light that stand out within the whole.

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Viola Moschettini

Curator

Viola Moschettini is a young Italian professional, born in 1992. Already active in London since 2019, she currently lives and works in Milan as Art Curator and Exhibition Registrar. With a background in law from the Faculty of Economics and Law at the Università Cattolica del Sacro Cuore, she moved to UK, where she worked at the British Museum and collaborated with art galleries such as CLUSTER LONDON and Bow Arts. After returning to Italy, she collaborated for several months as Gallery Manager and Personal Assistant with the Amedeo Modigliani Foundation. Among her recent projects, in summer 2024, she curated the “Light in MAGNA GRECIA” project among the cultural initiatives “Cortili Aperti” and “Notte Verde,” in collaboration with Italian institutions from the Puglia Region and sponsored by the companies Pitardi Cavamonti and Kloris Design. In May 2024, she also organized and curated the “Corte dei Salentini: Artist Residency” project (under the patronage of the institutions and the Museums of Lecce and sponsored by Mediolanum Bank and companies WovLabs, Salentoeat, and Pitardi Cavamonti) and, in March 2024, the research workshop “Demonology through the ages: beliefs, ideas, material and visual culture” in collaboration with the Institute of Historical Research of the University of London and its IHR History Lab.

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